30.12.10

mood/gusic's top 20 albums of 2010

This year's nearing a close. So here are top 20 albums I have enjoyed the most from 2010:

20. Omar  Rodriguez Lopez & John Frusciante - Omar Rodriguez Lopez & John Frusciante

Covernnn

19. Crystal Castles - Crystal Castles II

Crystal-castles-ii-packshot

18. First Aid Kit - The Big Black and Blue

First-aid-kit-the-big-black-and-the-blue

17. Agalloch - Marrow Of The Spirit

Agalloch_cover_highres1

16. O. Children - O. Children

O_children

15. Darwin Deez - Darwin Deez 

3139025e7502de35e1094e7

14. Pendulum - Immersion

Pendulum-immersion-valp-6

13. Mogwai - Special Moves

Mogwai-special-moves-burning

12. Warpaint - The Fool

Thefool

11. Wolf Parade - Expo 86

Wolfhires

10. Ariel Pink's Haunted Graffiti - Before Today

Arielpink

09. Holy Fuck - Latin

Holy_fuck_latin

08. Women - Public Strain

Women-public-strain-cover-art

07. Foals - Total Life Forever

6786

06. Mountain Man - Made the Harbour

Folder

05. Útidúr - This Mess We've Made

Utidurcovermyndkass

04. The Tallest Man On Earth - The Wild Hunt

Doc040

03. MGMT - Congratulations

Mgmt_congratulations

02. Arcade Fire - The Suburbs

385_arcadefire_thesuburbs

01. Jónsi - Go Live

Jonsiiiii

mood/gusic's top five EP's of 2010

Here are the five EP's that I enjoyed the most from 2010.

5. Walsh - Smoke Weed About It

Walsh-smoke-weed-about-it-epfrontcoveramdd017

4. Owen Pallett - A Swedish Love Story

Owen-pallett-swedish2

3. The Tallest Man On Earth - Sometimes the Blues Is Just a Passing Bird

Tallestmanonearthep

2. This Will Destroy You - Moving On The Edges Of Things

This_will_destroy_you

1. Idiot Wind - Idiot Wind

Idiot_wind_ep_800x600

mood/gusic's top 10 songs of 2010

Here are top 10 song's to have come out in 2010 that I've enjoyed the most.

10. Crystal Castles feat. Robert Smith - Not In Love

9. Holy Fuck - Stay Lit

8. PVT - Crimson Swan

7. The Tallest Man On Earth - You're Going Back

6. Ariel Pink's Haunted Graffiti - Round & Round 

[vimeo 16979727 w=400 h=225]<p>Ariel Pink's Haunted Graffiti - Round & Round from Delo Creative on Vimeo.</p>

5. Wolf Parade - Yulia

[vimeo 15572068 w=400 h=225]<p>Wolf Parade - Yulia from Sub Pop Records on Vimeo.</p>

4. Foals - Spanish Sahara

[vimeo 9882354 w=400 h=225]<p>FOALS // SPANISH SAHARA from dave ma on Vimeo.</p>

3. MGMT - Flash Delirium

[vimeo 12311350 w=400 h=225]<p>MGMT - Flash Delirium from Shawn Roberts on Vimeo.</p>

2. Women - Eyesore

1. Jónsi - Grow Till Tall

21.11.10

Interview with Brian Borcherdt and Graham Walsh of Holy Fuck

moodgusic got together with with Brian Borcherdt and Graham Walsh of Holy Fuck for an interview before their show at the Speakeasy bar in Belfast on November 18. We discuss their 2010 release Latin, the writing and recording aspects for their music, their plans for 2011, their favourite records this year and of course, the infamous name.

1284052070-livewire-holy-fuck

moodgusic: This is Matthew Larkin with mood/gusic interviewing Graham Walsh and Brian Borcherdt of Holy Fuck, they’re playing the Speakeasy at Queens Student Union today. They’re touring their latest album Latin, it’s been out since Spring. So you’ve been touring Latin steadily since Spring, how is this tour?

GW: Fine, it’s been long but it’s been fine. Yeah.

BB: Yeah, it’s good. We did seven weeks in the U.S. and Canada with very few, I mean pretty much no days off and that can be taxing on the soul, but we had a pretty good time. We were out with a band called Indian Jewellery and we got along with them really well, and you know having people on tour with you that you get along well with works, it just works in your favour and this time we’re out with our friend Rich, Buck 65. Things like that help.

moodgusic: How’s this tour been or how does it compare with the earlier tours for LP and Holy Fuck?

BB: Um, I don’t know it’s pretty good. I mean, we haven’t really, we’re not a buzz band anymore, I mean that’s just there’s no way, like that’s just not the way things work now. You really get that, that only happens once and then you move on from there. But in a way it’s better because, we haven’t necessarily seen crowds diminish. Um, and we feel comfortable when we go on stage, we feel like it’s people that are there to actually see us, as opposed to people that maybe are coming for the hype or maybe heard something about you but they’re going to be overly scrutinising and you know projecting high expectations or something. So it feels good, to have your own audience there.

moodgusic: You recorded Latin in a barn, in Ontario, what was that like for you guys?

Holy_fuck_latin

GW: Well, it wasn’t neccecarily a barn, it’s a barn but it wasn’t, it’s not like a working farm barn.

BB: There wasn’t a lot of hay left.

GW: Yeah.

BB: Or cows..

GW: A friend of ours bought this farm with a barn on it and converted it into a proper studio. He gutted it down to nothing and rebuilt it back up and made it a proper living space so, and he has put a studio in there so, and it was great to go out there ‘cause it’s a distraction from downtown Toronto. You’re kind of isolated in the countryside and that helps you focus on just working on the music.

BB: There’s really nothing we do out there, I mean it’s in the middle of nowhere.

GW: But make music.

0807sessions01

BB: Yeah, we get up in the morning, make coffee and you’re there with you bandmates and you kind of slowly start your day I mean maybe the first thing we start on isn’t necessarily something that is overly like pressing, or not like a daunting task first thing in the morning. So you kind of jam and have fun and sometimes something creative comes to that, and then the same thing at the very end of the day, y’know maybe you’ve been working all day and to unwind at the end of the night you just horse around again. But there’s really not a lot of pressure other than the pressure we put on ourselves.

moodgusic: and did you have a specific intention, when you went into the recording of this album, for some sort of finish product?

BB: Over time we did. I mean maybe not in the beginning, in the beginning I think we hit the studio just wanted to properly document what we’d already sort of started to sort of create on stage and touring live. Um like you mentioned seeing us in 2008, um that was a really busy year for us, touring a lot and in that time we were trying to work on our record, like chipping away at it, little bits at a time only because we didn’t want to lose an energy that we were building up on stage. So like playing y’know 30 shows in a row, you get fresh off of that tour schedule, we want to be able to go into a studio and record that. So that’s what we were trying to do at first but it was proving to be kind of challenging because we were just chipping away at it in pieces and then going away again on tour.

GW: It was hard to get a total picture for everything. So it wasn’t until you sort of have all the songs, like a good photograph of all the songs and then you kind of realise what you can, you kind of get a better idea of what you have as a whole and then you can sort of sequence the record and maybe finish songs off a certain way and stuff like that.

BB: Yeah so at that stage when we could see what it was, was when we probably made our only conscience decisions on the record in terms of content where we did go back and record whole new things. Because we felt like in order for the album to be as dynamic as we wanted it to be, it would need a couple of those tracks just to take it one way and take it the other way and hopefully bring in those final dynamics that we felt the album was missing.

moodgusic: How does the writing process compare to maybe what you do on the side projects; singer songwriter stuff. Does the absence of lyrics make it easier to write?

BB: Yeah, mainly the absence of a front-person. I think in some more traditional bands people have more traditional roles, not always like you can always transcend that a little bit, like the drummer happens to write all the lyrics y’know that often at times is a new dynamic to any situation. But by and large we don’t have those set roles, where for the most part we’re reacting to a certain beat or a rhythm or something we’ve kind of come up with on one of Graham and my pieces of gear, we’ll be making a certain beat that’s going through a delay pedal and creating a certain fluttering kind of pulsey effect that maybe we really like and it sort of seems to be feedbacking in this key. Y’know so those are some of those beginning steps, it’s kind of like that is the spine and then we start building things off of that and it is a pretty free form way of writing, because like I said there’s not going to be one guy who steps in and goes, “well hey guys leave me room ‘cause I’m going to start croonin’ and girls are gonna start swoonin’ over me!”, y’know it’s not really like that.

moodgusic: So you get questions about the name a lot, don’t you?

GW: Yeah.

moodgusic: Some people might take offence to it, maybe the older generations. What do your parents or older relatives think of the name?

GW: I think at first, uh they’ve been supportive, at first maybe they were like or thought it was a silly joke or whatever and then I think my dad first thought maybe or couldn’t see how a band with that name could be very successful. But I think gradually, as we’ve been doing more and more stuff it’s shown him that no, actually times are changed a little bit, and we can actually come to Ireland and play a show and travel the world and stuff like that. But they’ve been supportive all along, it’s not like there was this big blowout like, “Oh my god my son is such a bad child”, ‘cause even my grandma liked the name too so.

BB: [laughs] That’s awesome.

GW: She was okay with it, she’s just like, “Oh.. kids.

BB: My wife’s grandmother wrote it down on her pad of paper next to the phone next to my name, and the first time I went over to visit because she was getting debriefed obviously by her son and so she was really really nice to me. And now that we’re buddies, her and I, like someone will make a joke like, “Oh you love his band name don’t you?” and she’d be like, “No! No, no I don’t I hate it!” she’ll say that but what’s cool about her and cool about some of these people they don’t hate us for it you know. [laughs] They understand and they don’t understand, but they’re forgiving. [laughs] But every generation brings something different to it and even our generation’s not as immune to it as we’d like to think. But maybe in a different way, we don’t take offence to the f word, but we make associations based on band names just due to the way that the internet is working and the blogosphere is working, y’know we make associations really immediately. Therefore I think more than every fine band’s sort of naming and building an image that is what relates to a particular movement, scene, sound or a blog or a vibe and Holy Fuck doesn’t really fit into those. [laughs] It just kind of sits out there like the weird cousin that no one wants to hang out with.

moodgusic: Did it ever cross your minds to maybe change the name? I know Starfucker changed their name, but then they changed it back. As a band did it ever come across?

GW: I think we maybe thought about it at one point or another, but we always stuck to our guns, I mean it is what it is.

BB: Maybe if we were coming at it from a different type of music, like right from the beginning, because of what we’re stylistically, the sort of show that we’re trying to put on every night, the type of records that we’re trying to make, I don’t think changing the name would really be advantageous to us. For one thing it would look a little bit like we’re I don’t know, giving in a little bit. But why give in if we’re making weird instrumental noisy music that you can hopefully either dance or clean your kitchen to and it’s just some weird thing. It’s not traditional pop music so what can we give in to. Like if we change the name we’re not suddenly going to be on the cover of Rolling Stone.

moodgusic: Next year in 2011 do you guys have any plans?

GW: In the first bit of 2011 we get to go to Australia and Japan which will be a lot of fun and then after that nothing really. No real set plans, though I’m sure there’ll be shows that’ll come up that we’ll do and we’ll start the writing process again and work on new material.

4561851772_dea6a1e3c3_b

moodgusic: What have been the records you’ve enjoyed the most this year.

BB: I’m not the most current person anymore, there was a time in my life where I would try to be quite current and I find myself so overwhelmed that I go through phases. I probably really won’t know what was good this year until next year or the year after. I was on the ferry today with my headphones on and I was really enjoying the Beach Fossils records. 

GW: That came out in like 2009.

BB: Oh yeah, well there you go. Uh I like Caribou’s new record, that’s a fantastic one, I really like this band called Royal Baths, and Bishop Morocco, Clipd Beaks.

GW: Same stuff really, we’ve been listening to the Caribou record a lot and I got the Tame Impala record which I like, I just got that recently. We’ve kind of been going a little crazy and been going to second hand record stores lately so I’ve been buying a lot of second hand stuff and just the other day I’m trying to go through my head about what new music should I be buying. I guess I like the new Beach House record.

BB: I feel like we should be asking that question more than we do.

GW: We should be asking you guys and get you to tell us.

BB: In fact I have a friend who would always be quick to volunteer some great stuff and he’ll send it my way he’ll send me the likes to their myspace but more than ever I’m not ever getting back to those emails until a couple months go by. Y’know I’m very bad these days, I feel like we’re living in a time of the immediate more than ever with twitter and things, I’m having a hard time adjusting because I’ve always been the type of person to mentally compartmentalise something for a future date. Like I’ll get everything ready and then I’ll put it out and I’m kind of like that now about receiving information like I’m putting up my safe guards and only little by little do I let things come in. And like one day I’m going to watch an episode of 30 Rock or something, I just haven’t let that guard down right now and I don’t know why, I think I’m afraid because I’m finding too many old things that I’ve already missed out on. Y’know I’m trying to read older books and listen to older music and watch older movies.

moodgusic: That's great, thanks for the interview.

 

Holy Fuck are currently touring Europe. For information about that band and a listing of their tour dates visit ~ http://holyfuckmusic.com/

Their third LP Latin is out now, it's worth checking out.

interview recording ~ 

[audio http://moodgusic.files.wordpress.com/2010/11/2aba7-interview_with_brian_and_graham_of_holy_fuck.mp3]
Interview_with_Brian_and_Graham_of_Holy_Fuck...mp3

 

 

22.10.10

Interview with Theresa Wayman of Warpaint

moodgusic got together for an interview with Theresa Wayman who performs vocals, guitar and occasionally drums for Warpaint. We discuss Warpaint's upcoming debut LP The Fool which is out this Monday October 25, Hallowe'en, first Ireland show and her favourite records of 2010 thus far. Warpaint played at the Crawdaddy venue in Dublin Ireland on Thursday October 21.

Moodgusicwarpiant

moodgusic: This is Matthew Larkin here with Theresa Wayman of Warpaint. Warpaint drop their first full length album on the October 25, this Monday. They are playing Dublin tonight at Crawdaddy and they’re about to embark on their UK tour. So, how are you doing this evening? 

TW: Very good.. Very well.

moodgusic: Is this the first time you’ve ever been to Ireland?

TW: Yes. First time any of us have ever been to Ireland. I think we’re all falling in love..

moodgusic: Slowly, yeah?

TW: With Ireland..

moodgusic: So-

TW: Not slowly. hmm?

moodgusic: What do you think of it so far; what have been the most ‘stand out’ things you’ve seen?

TW: Well it’s got a nice, peaceful atmosphere, which is- I didn’t really expect that, and um, the people are all really nice. There’s not the same pretention that you see, sometimes in London, even though I love London and England. But, it feels a bit, in Dublin it feels a bit like London, like you were saying. I noticed that as well. But without that- it’s not as hyper-active and it’s not as- the people are much kinder, softer, and we’ve had some interviews here and it’s been like, not the standard sort of- I don’t know people just seem like more interested in things rather than asking us the same questions.

moodgusic: Really?

TW: Yeah.

moodgusic: That’s good.

TW: No pressure. [laughs]

moodgusic: So we’re days away from your release of The Fool, your first LP. How has the journey been so far, since the release of Exquisite Corpse in 2008?

512-hn5rynl

TW: Well, it’s like- it’s been a pretty steady, up and up and up- as far as like, I guess the timeline goes. In the last year things have really changed a lot, when we signed with Rough Trade, about a year ago, and then did our first tour, ever, really, around the United States, last October. Since then we’ve recorded an album and we’re about to release it, then over here, not to Ireland but to the UK and Europe, like twice and on three large tours and a bunch of little ones, maybe more than that, four or something. I don’t know it’s- it just all makes sense I guess, we’ve been a band for so long that I feel comfortable with what’s happening and the trajectory that we’re on. 

moodgusic: Does it seem.. to sound cliché: like a dream, does it?

TW: Yes. Definitely. It definitely does, I um, y’know this is what we wanted and what we were aiming for a long time ago, but also, nothing we pushed unnaturally for either.

moodgusic: Yeah.

TW: Like, I mean we’ve- people are astounded that we’ve actually been together since 2004, off and on, we definitely took a break but- that we took that long kind of baffles people and to me it only makes all of this make that much more sense, and I feel that much more comfortable with it because I feel like, we weren’t ever trying to be too hasty or, push into something that isn’t deserved, so the fact that it’s happening now it’s like, okay well- makes sense.

moodgusic: And it all began with that Valentines day where you guys got together and just jammed?

TW: Yeah, that’s true.

moodgusic: And-

TW: I don’t know why we were all hanging out on Valentines day, but, I think only one of us had a boyfriend at the time so-

moodgusic: Oh yeah so it was that old story?

TW: [laughs] like oh, let’s hang out together. And cry.. Just kidding. No we made music, instead.

moodgusic: So what’s the story now with you guys, do you each have side projects right now?

TW: No.

moodgusic: So it’s all just focused on Warpaint- 

TW: Yeah. I mean, Stella kind of plays for this guy she has always played with, off and on. Just, if we’re home she’ll do a show with him. His name is um, why did I just forget his name.. Andy Clockwise, he’s cool.

moodgusic: So Exquisite Corpse was really well received, it’s an amazing EP if I may say so myself.

TW: Thank you.

moodgusic: Was there ever any pressure to live up to high expectations that were put upon you guys?

TW: No because weren’t like, y’know I don’t know. No I didn’t feel that way at all. I only felt like “Oh yeah I’m excited to do better than that.” y’know ‘cause that was the first thing we ever did and it’s like you learn so much and you grow, we’ve grown so much since we recorded that EP. That EP happened, when that was recorded we had only played a live show probably five times around 2004. Five or seven times, that’s like nothing. Right when that was done and we started playing live around LA we averaged about a show a week, for that entire year following. We changed a lot, ‘cause we started actually playing live. So I felt like it only made sense to do something else and it never seemed like it was even like that kind of thing where you compare- y’know I can imagine that maybe, if it was like we just had released ‘OK Computer’ or something and it was phenomenal record, mid life span, like then how are we going to follow that up?

moodgusic: It didn’t dwell on you guys at all then.

TW: This is like a completely separate thing that was so long ago and we have a different drummer, I don’t know it just seems like we were just really excited to just be able to get these songs out, and a lot of these songs could’ve been on Exquisite Corpse, well not a lot, but some of them were sort of, were written before Exquisite Corpse. But they definitely have a new life now, we’ve fleshed them out differently now but, yes a lot of them started ages ago. 

moodgusic: You talked about Stella, Warpaint’s drummer. How important was it for you, for you, Emily and Jenny to find ‘thee drummer’? 

TW: I mean, how could you.. 

moodgusic: It’s the core of the band? 

TW: Yeah I mean like.. 

moodgusic: You’d work around ‘that beat’? 

TW: We all work around each other, we don’t just work around her beat, or something, but it’s like beyond important. It’s massively important to have all the members, all the important members- I already felt like I had my dream other two members. And to have a fourth that completes the circle or the puzzle when we’ve been like really dying for that and wondering if it would ever come. That’s like, it’s phenomenal.

moodgusic: Would it be compare to almost like a relationship, find that one aspect of-

TW: Yeah the whole thing is a massive relationship, it’s like being married to four people, plus the music; five and then you have your family and whatever, a boyfriend that you have. I don’t know I’ve like so many relationships I feel I have to consider that i’m just like “wow!”. I don’t even want to have a boyfriend [laughs].

Warpaintmoodgusic

moodgusic: What’s the writing process like for you guys now musically and lyrically. Is it different from what it was maybe before Exquisite Corpse?

TW: No, it’s just the same. The lyrics and the melodies are mostly whoever’s singing it, is the one who’s like pretty much written it, the melody or the lyrics. We all, we come to songs in a lot of different ways. Like, someone might bring a song that’s completed start to finish just of guitar or bass and then everyone adds their parts and we all kind of, we can give each other suggestions and stuff but we don’t really meddle in, I don’t meddle in like other peoples affairs really and let Jen kind of come up with her own ideas. That’s the cool thing with all of us, is that we generally like what’s going on. But we definitely like piece songs together mutually, like “Okay how should we get from point A to point B, we could either go this way, this way or this way, try all three?” we’d usually come to a consensus on which one’s better and sometimes it takes a little while to come to a consensus but not usually.

moodgusic: What are the direct influences that mould the Warpaint sound?

TW: Just feel, and moods. I mean there’s not like, I never really get an idea from like- I mean I do sometimes but not really like I get ideas from other music and go “I want to write a song like that.” We listen to all kinds of music and we just, if we’re jamming out like- we just did this thing on tv, for.. I forget what it’s called, a tv show with Elton?

moodgusic: Was it here in Ireland?

TW: Yeah, it’s like. Fuck what’s that tv show called, when with, under ether or something like that. It’s a tv show, late night music tv show.

moodgusic: I don’t know if we get Irish programming-

TW: In Northern Ireland? Why?

moodgusic: I think we do.. But I mean, I usually don’t watch tv at all.

TW: Yeah I don’t either. But anyways ahh, we’re just like, Jen was playing a bassline and I just started a new bassline that I never heard, she just played something and I started playing to it and I liked what was going on. But like that could become a song, and it just like came from a moment and I was just like hearing something and just playing whatever I wanted to play. It’s not like I go “Oh yeah, that bassline is perfect for me to play like Jimmy Page type riff.” Y’know it’s like it doesn’t happen like that.

moodgusic: You’ve talked about how important it for your releases to have a really live sound, maybe not so studio, maybe not going lo-fi but how important is it to have that sound be so raw for the listener?

TW: Well, it’s pretty important

moodgusic: Maybe to make a pun on the new album, but to not fool them, of what it might sound like, y’know if you listen to some studio, really high end studio music, it’s not going to sound the same live, unless it’s maybe lip-synced.

TW: Yeah. Well I don’t know like, I’ve never, I don’t know. It’s hard I mean I definitely like music that’s sometimes recorded-

moodgusic: That sounds, more true?

TW: Yeah that, but I also enjoy music that sounds like produced sometimes, but a lot of times, no. It’s really important that the recording process like the way we play it embodies like some sort of like live feel. And we didn’t even get to do that as much as we wanted on The Fool. Because we had only just met Stella like three weeks before we recorded, and it ended up needing to be that Stella and Jen really locked down and figure out the parts because, to figure out Stella’s parts ‘cause there’s not very much time to write an album and like Stella just jumped right in y’know? Therefore we needed to go “track by track” kind of, they played and recorded live together, but we did one song live which was ‘Warpaint’, the song ‘Warpaint’. But other than that we had um, I don’t know I think the next album we’ll definitely like- I am a fan of presenting the music the way that it is played live. I don’t, there’s a different art to this and this is like a totally valid thing as well like going into a studio and doing a lot of overdubs and getting all crazy and I think that could probably be fun, but I just, for the most part like I want to use the pedals that I use and the amp that I use and like make it sound the way it sounds live. It just seems like the most natural way I guess.

moodgusic: A thing with Warpaint is that you don’t have a definitive vocalist, you guys all share the vocals-

TW: We don’t all share the vocals-

moodgusic: Oh, Stella

TW: Me and Emily sing most of the stuff and Jen does a little bit. There are a lot of harmonies on this album but there’s live like, Jen probably sings once, or twice like maybe sings a little bit of backing. 

moodgusic: So it’ll really be you and Emily then?

TW: I think that could change and I’d like that to change. I’m totally open to that changing but as of right now that’s like sort of an inaccurate statement, but we like to sing together and make harmonies. There’s like a couple of songs where Jen sings but it’s not her singing anything on her own and it’s like to fill out the space.

moodgusic: What are the plans for 2011, Where can people expect to see Warpaint?

TW: We’ll probably do a lot of the European and UK festivals, that whole circuit in the summer, all the way to September. We’re going to Australia at the end of January.

moodgusic: Oh yeah to do Laneway, isn’t it?

TW: Yeah.

moodgusic: Will you be doing any side shows in Australia?

TW: Yeah we are going to be doing that, yeah I don’t know where yet. And we’re going to tour the United States again.

moodgusic: So you’ll be very busy then.

TW: Yeah.

moodgusic: On Hallowe’en night you’ll be in Belgium, have you guys all brought costumes?

TW: Yeah I brought some face makeup.

moodgusic: And what are you going to dress up as?

TW: I don’t know. [laughs] I don’t know yet, I’m going to try and figure it out. I definitely like, I definitely want to paint my face white and uh, maybe I’ll just be a ghost.

moodgusic: You guys should trick or treat.

TW: Yeah, we should. ‘cept I don’t really eat candy, so then what do I do? Save it for my son.

moodgusic: Or go to places that give you nuts, peanuts and stuff like that you know?

TW: What places are those? [laughs]

moodgusic: That’s a big problem over here, we’d usually egg, y’know throw eggs at the houses that would give us peanuts and wouldn’t give us sweets..

TW: Oh yeah [laughs]. I’d like to do that.

moodgusic: So you will celebrate Hallowe’en as a band then?

TW: Yeah, I kind of wish we were playing a show. We played a show in Texas last Hallowe’en and it was really fun.

moodgusic: Did everybody dress up?

TW: It was odd, there weren’t that many dressed up. There were a couple of people dressed up. Um I have to go soundcheck very soon.

moodgusic: So I’ll just ask you one more question, what’s been the record(s) that have kept your attention the most in 2010?

TW: There’s a record by Conan Mockasin, and I love that album. There’s a new PVT record, and the Ariel Pink record’s really good as well. Just ones that came out in 2010

moodgusic: Yeah in 2010, that’s it. Thanks very much for the interview. 

 

Warpaint's debut LP The Fool is currently streaming in it's entirety, go have a listen ~ http://www.warpaintwarpaint.com/

Rt-580

interview recording ~ [audio http://moodgusic.files.wordpress.com/2010/10/76a98-interview_with_theresa_wayman_of_warpaint.mp3]
interview_with_Theresa_Wayman_of_Warpaint.mp3